Scene Forward!

Covering the here and now, the independent, and the underground

News / Opinion

See the List of Artists Collaborating With TURNSTILE for Their Reimagined NEVER ENOUGH: Versions Album

Kelsey Krebs — August 21, 2026
News / Opinion

Car Seat Headrest's Teens Of Denial Re-Recording Receives a Mixed, Heavily Memed Response From Fans

Car Seat Headrest are no stranger to re-recordings and re-writes, but these previous releases have never been labeled "puritanical"

It would not be controversial to say that Car Seat Headrest have established themselves as titans of the current indie rock scene. Starting as lead singer Will Toledo's solo project, the band has earned a large and dedicated fanbase thanks to their carefully-crafted yet DIY sound, layered with introspective lyrics and vulnerable songwriting, eccentric live shows, and a slow but steady output of albums since the project's debut in 2010.

Will Toledo is no stranger to re-recording albums. Twin Fantasy, the band's cult classic 2011 release, was re-recorded and re-released in 2018 as Twin Fantasy (Face to Face). That album reworks lyrics, sounds, and production choices and is generally beloved by fans, though debate over which version is superior has never really settled.

Teens Of Denial, which celebrated its 10th anniversary on May 20th, is another Car Seat Headrest classic. It's gritty in nature while being tightly produced and more mature compared to previous releases. For the record's anniversary, Will Toledo decided to re-work the album, with production and lyrical changes, as Teens of Denial: Joe's Story. Joe is a character whose story is woven through the original album, and the re-release is intended to retell it from his perspective.

Upon release, the re-recording has not been received warmly by fans. Some of the changes come across as jarring, with listeners noting the removal of all swear words and profanity, along with lyric changes that many perceive as overly sanitized and puritanical.

Fans somewhat teasingly attributed this to Toledo's openly embraced Christian faith. Instagram user @ericagarayy wrote: "Reimagining an angsty teen album through the lens of a puritanical Christian?? it removes all the bite and rawness and honesty of being a gay teen..." User april.chun went further, satirizing the remake with: "Next up: (Fraternal) Twin Fantasy, reimagined as a heterosexual romance."

Fans who saw themselves in the album's explicitly queer themes are left somewhat bewildered by the sudden shift, uncertain whether it reflects a change in Toledo's personal beliefs or is simply an attempt to retell the story from a purely fictional alternative perspective.

Toledo's official explanation for the changes is that the re-recording was written for listeners unfamiliar with the original. Stereogum reported from a spokesperson for Toledo: "When I was making this my only concern was making something for people who had never encountered the album and were hearing it for the first time. I didn't make it for anyone who already knows the album."

News / Opinion

Pinkshift Turn a New Leaf With Confessional New Single "when we were friends"

The Baltimore-based alternative rock band are no strangers to breaking lyrical and sonic norms in their scene.

Baltimore's own Pinkshift emerged in 2019, with a pandemic breakout single "i'm going to tell my therapist on you" and following EP Saccharine. Since then, their sound has retained a character best described as delicately distorted, well-layered chaos, with lyrics that tell deeply emotional stories.

Their new single, "when we were friends," released May 21st on Hopeless Records, finds liberty in letting go of a friendship that has lost its value. It at first questions why things have changed, ruminates on what went wrong, then accepts that the friendship is over because the singer has reached a higher level of maturity and it is no longer worth pursuing. The song's moderately fast tempo and cleaner guitar work than usual helps elevate this message.

This June, Pinkshift are embarking on a US anniversary tour for Saccharine, beginning in North Carolina, with most tour locations being kept a surprise for the time being. In July, they are co-headlining a slate of UK shows with Heart Attack Man.

News / Opinion

last.fm Announces it Has Gone Independent, Dropping 19 Years of Paramount and CBS Control

Finally Free

Last.FM (stylized last.fm) is one of the longest-running music tracking and statistic websites and apps, used by enthusiasts to track their listening habits over the years. The company announced on May 27th that they have become an independent company after 19 years under control by Paramount Streaming (formerly CBS Interactive).

The announcement, posted by the company's official account on their own Support Forums, emphasized that there would be no awkward transition period, stressing no immediate changes to activity and scrobbles, data and privacy, with the team remaining unchanged. The price of a Pro membership also remains the same.

Response among the community has been overwhelmingly receptive to the news, with replies on the forums from users both new and old viewing it as an opportunity for the service to have fewer hurdles in implementing new features and responding to fan reception.

The service's loss of a parent company is a deviation from the current trend in music and entertainment focused websites, as the 2020s have proven to be an unprecedented decade for corporate consolidation of music-focused companies.

News / Opinion

Phoebe Bridgers Announces Flash-Sale for Madison Square Garden Pop-Up Show

For the love of the art.

Indie pop bigshot Phoebe Bridgers has announced a pop-up show at Madison Square Garden in New York, sponsored by Tidal.

Tickets are on sale for $1, though a $20 donation option is also available, as the show is a benefit for the Immigration Bond Freedom Fund.

The show takes cues from concert culture before the internet age, with short notice and a strict no-devices policy. The promoter states: "No cellphones, smart watches, smart glasses, cameras, or recording devices allowed. Yondr pouches will be provided." Yondr pouches are lockable cases that temporarily secure cellphones during an event, commonly used in schools and concerts, to be unlocked once the event has ended.

Tickets went on sale June 1st and close the same day at 11:59PM.

This is the largest and most high-profile stop in an ongoing series of Phoebe Bridgers pop-up shows across the US. The tour has been running daily since May 9th, with previous stops in Roswell, Lubbock, Little Rock, Memphis, Jackson, Mobile, Macon, Savannah, Greenville, Chattanooga, Lexington, Huntington, Toledo, Champaign, Bloomington, Davenport, Eau Claire, and Fargo.

News / Opinion

Alternative-Folk Band Ratboys Show Off Their Live Capabilities on KEXP With an Intimate, Delicate Performance

Sixth Album's a Charm

Their unconventional name matches their unconventional sound, and that sound is something special. Ratboys are on their way to long-deserved stardom. In the world of noncommercial and college radio they have been receiving heavy airplay for half a decade or so, but 16 years into their career they are seeing new and passionate interest with the release of their sixth studio album, Singing To An Empty Chair.

Critically acclaimed for years, the band is selling more records and charting higher than ever, credited to Singing To An Empty Chair's mature, widely influenced, and carefully thought-out sound that blends Americana with folk, roots, emo, and indie rock.

To promote the new record, the band played a pro-shot live set on KEXP, a titan of noncommercial and college radio known for its live studio performances streamed both over the station and released on YouTube. The set exclusively featured songs off the new record, including "Open Up," "Penny in the Lake," "Light Night Mountains All That," and "Burn It Down." In between songs, the band discussed their demo sessions, how recording in an isolated Wisconsin cabin helped with the process, and how lead singer and guitarist Julia Steiner's experience in therapy helped shape the lyricism on the record.

Ratboys are about to embark on the summer leg of their ongoing When The Sun Explodes Tour, with dates around the Northeast, Midwest, and Pacific Northwest. They will be playing with a wide range of artists across various dates, including Shallowater, Spoon, Golden Apples, Lucy Dacus, Pavement, Jesse Welles, Jimmy Eat World, and PUP. Shows begin June 13th.

News / Opinion

Snail Mail, Soccer Mommy Announce Co-Headlining Tour Throughout The Eastern US

Soccer Mommy and Snail Mail, two well-established indie rock acts, are embarking on a co-headlining tour dubbed "The S&M Tour" (presumably named for their mutual initials) throughout the Midwestern, Atlantic, and Southeastern US. The two acts have been well established in the indie and noncommercial radio scenes for years and share an overlapping sound and fanbase.

Snail Mail, stage name of Lindsey Jordan, is currently still riding the wave of her third studio album, Ricochet, released on Matador Records, which was her biggest critical and commercial success to date. Soccer Mommy, stage name of Sophia Allison, has yet to tour this year, and is preparing for a slate of standalone shows throughout the summer prior to embarking on the S&M Tour. Her most recent record was 2024's Evergreen, released on Loma Vista Recordings.

Tickets are on sale in the $50 range, primarily at standing room venues. Shows begin September 30th and run through October 24th, with stops in Charlotte, Silver Spring, Sayreville, New Haven, Providence, Albany, Pittsburgh, Madison, Saint Paul, DeKalb, Bentonville, Nashville, Orlando, Tampa, New Orleans, Birmingham, Columbia, Richmond, and Wilmington.

News / Opinion

Phoebe Bridgers Announces New Album Lost Weekend and Tour Throughout North America and Europe

Good Things Come to Those Who Wait

Coming off a tour-sized series of pop-up shows in lesser-played cities across the US, culminating in a final pop-up show at the prestigious Madison Square Garden, Phoebe Bridgers is back with her first new solo record in 6 years, titled "Lost Weekend," scheduled for release on August 14th on the independent label Dead Oceans. Bridgers is pushing vinyl sales, with a variety of designs including classic black, signed copies, and unique designs titled "Neptune Winds," "Zodiacal Light," "Europa Ice," "Pluto Glaciers," "Far Side of The Moon," "Enceladus," and "Rogue Planet."

The album will be supported by a tour through North America and Europe titled The Lost Tour, with North American dates spanning from September to November, and European dates spanning from November to December. Cities with dates include Indianapolis, Saint Paul, Chicago, Columbus, Brooklyn, Philadelphia, Washington D.C., Toronto, Detroit, Boston, Charlotte, Nashville, Atlanta, Austin, Fort Worth, Denver, Salt Lake City, Seattle, Vancouver, San Francisco, Los Angeles, Dublin, Manchester, Glasgow, Birmingham, London, Paris, Brussels, Amsterdam, Düsseldorf, Berlin, and Copenhagen.

Alex G will serve as the supporting act for the entirety of the North American leg of the tour, while Isaac Wood + Anaïs will serve as the supporting act for the entirety of the European leg. All shows are sold out except for the dates in Düsseldorf, Stockholm, and Copenhagen.

News / Opinion

The Future of Scene Forward!

It's quite bright.

It's safe to say that Scene Forward! is in a soft-launch, or beta, stage. Over the past month and a half I have been working on this project at a bit of a snail's pace, writing articles every so often and figuring out a proper typeface and user interface.

Right now Scene Forward! is in the soft-launching phase. I am currently standardizing a style of writing that ensures quality, consistent articles on topics that make sense, a mix of news, opinion, and reviews, covering topics in a style that isn't a direct imitation of the Pitchfork, Stereogum, or Rolling Stone approach, but rather something unique, more of an opinionated news column than traditional full-time journalism.

The challenge of being a one-person operation alongside being a full-time college student is real, but my love of this project is strong enough that within the coming weeks or months, I am happy to announce that a full hard launch with social media accounts and regular articles is on the horizon!

News / Opinion

See the List of Artists Collaborating With TURNSTILE for Their Reimagined NEVER ENOUGH: Versions Album

Retelling of an award-winning classic.

TURNSTILE are the alternative band to watch right now, and they have been all decade. In February, they won the coveted GRAMMY award for Best Rock Performance and Best Metal Performance for their fourth studio album, NEVER ENOUGH, released in June 2025.

NEVER ENOUGH has achieved the rare feat of being a commercial success with hundreds of millions of streams coming from a band with strong roots in DIY and hardcore scenes, though they are now signed to Roadrunner Records, part of the major-label Warner Records family. Though not a breakout in the traditional sense, NEVER ENOUGH is certainly the record that has brought them the most attention from the broader industry.

On August 21st, the band announced they were collaborating with a wide range of artists for a "reimagined album" based on NEVER ENOUGH. The announcement has been turning heads due to the sheer variety and depth of the artists involved. Due to the list being in alphabetical order, fans have been pointing out the juxtaposition of Elton John appearing next to Dying Fetus, an early 2000s death metal band. "First in my bloodline to see Dying Fetus and Slayyyter feature on the same album," commented @yogawitholive on Instagram. "Never expected to see the names Dying Fetus and Elton John so close together," added user dallandriaphoto.

The full list of collaborating artists for the project:

A.G. Cook, Alex G, Angel Du$t, Blood Orange, Brandon Woody, Chanel Beads, Dan Deacon, Dying Fetus, Elton John, Faye Webster, Floating Points, Four Tet, Hayley Williams, Julien Baker, Kettama, Mustafa, Nourished by Time, Oklou, Panda Bear, Porches, Rod Lee, Shabaka, Slayyyter.

About Scene Forward!

Scene Forward! is an independent music and culture publication. In an era where mainstream music enthusiasm is far too backwards-looking and focused on nostalgia, Scene Forward! aims to focus on the here, the now, and the up-and-coming.

Scene Forward! publishes news, opinion, and reviews on the current music scene, with a focus on modern alternative and indie music scenes and younger artists.

Scene Forward! is fully independent, woman-run, and run by a single person. I don't have the same time, finances, resources or personnel as the big music journalism sites, but I hold twice the passion in music.

Contact

Kelsey Krebs, founder and writer
kelsey.krebss@gmail.com